At the Door (2017) – scene for high voice, medium voice, and piano (w/ assistant) (15′)
Four Glimpses of Desire (چهار نگاه اجمالی از هوس) (2016) – for high voice and piano (17′)
The Seduction of Honorius (2016) – scene for mezzo and orchestra/piano (8′)
Two Reflections on The Belovèd (2016) – for soprano and percussion quartet (8′)